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12 June '23

The Return of Ryan Gosling

Ryan is on the Summer cover of GQ! Check out the new photoshoot in our gallery!

Ryan Gosling subscribes to what he calls an escape-room style of being an actor. This is a little theoretical, because he’s never actually been to an escape room, and he’s not totally sure what happens inside of them. “Maybe I should do one,” he says, “to see if this really works.” But the general idea is: You’re thrown into a particular set of circumstances and you’ve got to find your way out. Maybe you show up on set one day and it’s raining when it’s not supposed to be raining, Gosling says, “or this person doesn’t want to say any of that dialogue, or the neighbor’s got a leaf blower and they’re not turning it off.” What do you do next?

Over time, Gosling has discovered that this approach might apply to more than just acting. Maybe, for instance, you’re a kid growing up in a town you don’t want to be in and you’re trying to locate an exit. Maybe you’re looking for something you can’t put into words and you make movies to try to pin down whatever it is you’re looking for. Maybe you’re a person who never envisioned raising a family and then you meet the person who changes, in some radical way, how you see yourself and your future. Life comes at you, in all its unanticipated and startling particulars; the thing that makes you an artist is the way you respond.

And being open to the unexpected has served Gosling well. When he was young, his first real breakthrough came in a movie, 2001’s The Believer, about a Jewish kid from New York who becomes a neo-Nazi. Gosling was none of these things, a fact that the director, Henry Bean, turned out to like—“The fact that I wasn’t really right for it was exactly why he thought I was right for it,” Gosling says. A few years later, when Gosling was auditioning for The Notebook, he says, the director, Nick Cassavetes, “straight up told me: ‘The fact that you have no natural leading man qualities is why I want you to be my leading man.’ ” Gosling got the part; he’s been a leading man ever since.

In his youth, Gosling treated acting a little bit like therapy, or an opportunity “to teach myself about myself.” He was in search of experiences—films that could capture a mood, or a feeling. Sometimes what he was doing barely looked like acting at all. “Even though I think Ryan has watched a lot of movies, the way he acts is as if he hasn’t watched that many movies,” Emily Blunt, who first got to know Gosling on the set of David Leitch’s forthcoming movie The Fall Guy, says. For 2010’s Blue Valentine, Gosling lived for a time with his costar, Michelle Williams, in the house where they shot the film, playing the part of parents with the young actor who played their daughter. For 2011’s Drive, he and the film’s director, Nicolas Winding Refn, spent days driving across Los Angeles, listening to music, whittling away dialogue from their script until the film was purely about the unnameable sensation the two of them shared in the car. “I was trying to find a place to put all these things that were happening to me,” Gosling says. “And these films became ways to do that, like time capsules.” For Only God Forgives, Refn’s next film, Gosling spent months in Thailand before shooting began, training in Muay Thai camps, learning to fight. “And I don’t think I did Muay Thai once in that film,” Gosling says. Refn changed plans. Gosling was okay with it. “I didn’t do the film to do Muay Thai,” he says.

And then something interesting happened, or maybe—in the manner of life—a few things happened, and the way Gosling worked began to change. In 2014, he and his partner, Eva Mendes, with whom he starred in The Place Beyond the Pines, had their first kid, and then in 2016, their second, both daughters. Gosling started to act in fewer independent movies and more studio films, like La La Land and Blade Runner 2049. These were movies, as Gosling describes them to me, “for an audience.” And then, for four years, he didn’t appear in anything at all.

Read more at GQ.com

22 October '21

Ryan Gosling To Play Ken Opposite Margot Robbie In ‘Barbie’ Movie From Warner Bros, LuckyChap & Mattel

DEADLINE – EXCLUSIVE: Margot Robbie’s Barbie movie looks to have found its Ken. Sources tell Deadline that Ryan Gosling is in final negotiations to play the iconic Mattel character in Warner Bros’ movie centered on the classic doll line. Greta Gerwig is directing the pic, with Robbie playing the titular role.

Given his busy schedule, Gosling initially passed on playing the part, but insiders add that as pre-production dragged out and the studio remained persistent with him being their only choice, an opening in his schedule appeared, allowing him to sign on.

With Gosling close to signing on, the film looks to be on the verge of a greenlight, and the hope would be to shoot at the top of 2022. Gerwig co-wrote the script with Noah Baumbach.

Plot details are unknown at this time, but given Gerwig’s track record as a director, one can expect that this won’t be your typical take on the doll’s story.

Robbie is producing the film under her LuckyChap Entertainment production banner along with LuckyChap’s Tom Ackerley, Mattel’s Robbie Brenner and David Heyman. LuckyChap’s Josey McNamara and Mattel’s Ynon Kreiz are executive producers.

As for Gosling, the role may be some of the more spot-on casting in recent years and is sure to excite fans even more over what to expect out of this project. The Oscar-nominated actor recently wrapped production on the Netflix action pic The Gray Man, in which he stars opposite Chris Evans with the Russo Brothers directing.

Gosling is repped by CAA and Sloane, Offer, Weber & Dern. LuckyChap is repped by CAA, Management 360 and attorney Jeff Bernstein.

25 February '21

Ryan Gosling To Star In ‘The Actor’ With Duke Johnson To Direct Adaptation Of Donald E. Westlake Novel ‘Memory’

Exciting news! Ryan has been casted in a new movie titled “The Actor.

DEADLINE – EXCLUSIVE: In what shapes up as a hot package for the upcoming European Film Market in Berlin, Ryan Gosling has committed to star in The Actor, with Duke Johnson directing a script he wrote with Stephen Cooney, based on Donald E. Westlake’s hard boiled novel Memory.

Gosling will produce with Waypoint Entertainment’s Ken Kao, Johnson and his Innerlight Films partner Abigail Spencer, and Paul Young through his Make Good Banner.

Gosling will play New York actor Paul Cole, who is beaten and left for dead in 1950s Ohio. Stripped of his memory and stranded in a mysterious small town, Paul struggles to get back home, piece together and reclaim the life and identity he’s lost. The Actor follows a journey relatable to many: to find home, to find love, and ultimately to find ourselves. For those like me who long to see Gosling in another stylish and vehicle like Drive, this seems to hold a lot of promise. Gosling is currently prepping to go mano a mano with Chris Evans in The Gray Man, a big action global drama which Netflix hopes will launch a major franchise, with Avengers: Endgame helmers Joe & Anthony Russo directing.

17 July '20

Ryan Gosling and Chris Evans to Star in ‘The Gray Man’

DEADLINE – EXCLUSIVE: Fresh from an earnings report that saw it add 10 million subscribers during the pandemic, Netflix has just set its most financially ambitious feature film so far. Ryan Gosling and Chris Evans are set to star in The Gray Man, with AGBO’s Joe & Anthony Russo directing their first blockbuster since setting the all-time global box office record with Avengers: Endgame two years ago. The intention here is to create a new franchise with a James Bond level of scale and a budget upward of $200 million.

The Russos’ AGBO is producing, and the script was written by Joe Russo, with a polish by Christopher Markus and Stephen McFeely, who scripted the Russo-directed Captain America and Avengers films and who are Co-Presidents of Story at AGBO. It is based on the 2009 Mark Greaney novel that introduced the Gray Man, a freelance assassin and former CIA operative named Court Gentry.

The film will be produced by AGBO’s Russo Brothers and Mike Larocca, along with Joe Roth and Jeff Kirschenbaum for Roth Kirschenbaum. They are eyeing a January start date in Los Angeles with international locations being finalized.

The action thriller is a deadly duel between killers as Gentry (Gosling) is hunted across the globe by Lloyd Hansen (Evans), a former cohort of Gentry’s at the CIA. The Gray Man turned into a bestselling book series, and the expectation is that Gosling will continue in multiple installments. The project was developed years back at New Regency as a Brad Pitt/James Gray vehicle, but it stalled. The Russos quietly have been developing it for years.

“The movie is a real mano a mano between those two great actors who represent two different versions of the CIA, in what it can be, and what it can do,” Anthony Russo told Deadline. “For those who were fans of Captain America: Winter Soldier, this is us moving into that territory in more of a real-world setting. That’s what this movie really means for us.”

Said Joe Russo on the film’s scale: “The intention is for it to be competitive with any theatrical, and the ability to do with with Gosling and Evans is a dream for us. The idea is to create a franchise and build out a whole universe, with Ryan at the center of it. We have all committed to the first movie, and that’s got to be great to get us to the second movie. These are master assassins, and Gosling’s characters gets burned by the CIA and Evans’ character has to hunt him down. We have a great working relationship with Netflix, and we go back almost 20 years with Scott Stuber. We formed AGBO to be an agnostic storytelling company, where we figure out the best platform. We think Netflix is the perfect place for this film.”

29 May '20

Ryan Gosling’s ‘Wolfman’ Gears Up at Universal as Director Decision Nears

VARIETY – Months after Universal successfully relaunched its monster universe with Elisabeth Moss’s “The Invisible Man,” the studio is pushing ahead for “Wolfman” — which is being developed as a starring vehicle for Ryan Gosling — to be the next movie based on its catalog of iconic creatures.

Sources tell Variety that executives at Universal have been meeting with directors over the past month and could be making a decision soon on who will take the reins behind the camera. While there is no frontrunner at the time, Cory Finley, who recently received rave reviews for directing HBO’s drama “Bad Education” with Hugh Jackman and Allison Janney, is said to be in the mix for the job.

Universal and CAA had no comment.

Lauren Schuker Blum and Rebecca Angelo, who wrote for Netflix’s “Orange is the New Black,” penned the script, which is based on an original pitch by Gosling.

Gosling’s take fell in line with the studio’s new vision for its monster movies. Universal had originally planned on creating an interconnected universe with its vast catalog of monster IP. However, the studio reassessed after “The Mummy” with Tom Cruise misfired, and decided to move forward with filmmaker-driven projects based on the monsters’ legacies, focusing on what made the characters endure over time. Instead of prescribing a mandate that the films be part of a larger scheme, Universal loosened those restrictions and open-sourced to filmmakers to create their own unique stories.

Everyone from James Wan to Paul Feig and John Krasinski has given pitches on the characters they would love to tackle. Each of those films are in various stages of development, with many that are just pitches still seeking writers. But studio insiders have stressed that by loosening the universe restrictions, it allows for more opportunities to present themselves and the hope of the next monster movie having similar results as “The Invisible Man.” “The Invisible Man” cost $7 million to make, and earned $122 million at the box office before movie theaters were forced to close due to the coronavirus pandemic.

Timing for “Wolfman” is also in question. While it seems to be in good position to get off the ground, an exact production start date is still up in the air. Besides the fact that Gosling himself would have to close a deal to star, he is also currently set to lead an untitled astronaut film at MGM. That movie, an adaptation of “The Martian” author Andy Weir’s upcoming novel, recently hired Phil Lord and Chris Miller to direct. By all accounts, that seems to Gosling’s next project.

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